
So with my logo contest being an entire re-draft, I dedicated to post the new and improved logo choices.
Now with the talented Naomi working from Miami to get this completed for me. Yay!
Inspired by Seshu and a group of photographers, I wanted to fill you in on my digital workflow! While I customize my workflow for each wedding (because every client is different, and I use different equipment for each assignment), there are some standard things that I do for the vast majority of my weddings. Since I’m prepping for the upcoming wedding season by cleaning lenses, ordering all new cards, and cleaning up my workstations I figured this would be the perfect time to describe my typical workflow!
Oh yes, everything begins the day before. Charging batteries, erasing cards, cleaning lenses, packing my bags. I have a laundry list of “to do” items that also includes printing out your shotlist questionnaire, directions, and setting up my equipment so that I will be ready to go. I also make sure that my camera bodies all have the same time set - imagine using four cameras at a wedding then realizing some of them weren’t set to the same time! Makes for some loooong hours ordering the images later :)
I offload all of the images to my computer using Image Capture on my Mac (it’s so fast!). I then back them up (and then back them up again, and sometimes AGAIN). I have offsite backups as well as onsite to ensure we keep these images safe! I back up everything, and use external hard drives (I recommend Western Digital) onsite.
I use PhotoMechanic to sift through and organize my photos. I do a first edit of my favorite photos, which will turn into the teaser slideshow. PhotoMechanic is incredibly fast and is my favorite tool in the whole workflow.
The teaser images get edited in Photoshop based on my clients’ preferences - do they like really vibrant images? Should I vintage-ize them? Do they want really romantic images or photojournalistic storytelling? Once these edits are done, I drop them in a blog, and then email my client (and CC the wedding planner if I know his or her email address!) the link and thank them for a wonderful day :)
At this point, I check in with my second shooters. I ask them to also sync their camera bodies with the correct time so we don’t run into the same ordering issue, so everything should be good to go when I download their images.
Now it’s time to organize and take out all of the “blinks” - the images that I’m sure my clients won’t want later. :) I organize the images into folders based on the subject (ceremony, portraits, details) and go through with PhotoMechanic to select the ones I want to keep. This removes duplicates, photos where people are blinking, blurry photos, etc.
After this paring down, I use Adobe Photoshop to correct exposure and colors. Usually this doesn’t take very long. It is also my favorite part because I can re-live the entire wedding.
I prefer to rename my images and also helps me keep things organized when I add second shooters’ images to my piles.
At some point during this process I blog the wedding. I like to add the blog the day after I’ve sent it to the client, since I want to show it to the world right away! :) While I’m editing the detail photos I also pick out a few that I want to add to the blog, since they’re often a huge hit and can help other people planning their weddings. I also try to add my favorite portraits to the blog, since those are often my favorite photos from the whole day.
At the very end, I add photos to my portfolio. Haven’t visited my portfolio in a while? It’s constantly updated with new stuff!
I burn the images to a disk for the clients. If they want me to sign a copyright agreement this is the time I print it and sign it for them.
For album creation, I use a number of different actions and files. I work in Photoshop and make everything custom for each client.
So as you can see, quite a few hours are spent in post-production just focusing on the digital workflow. Wedding photographers’ work doesn’t end with the wedding! And this is just for a typical event - there are so many little things that can be different for each client.



1. Get inspired. Look at wedding photography sites that you like the style, and try to figure what
setting they were using, or how the light was. It is important not just to look but to really think
about how to create that same image through your lens.
www.knot.com or www.weddingchicks.com also Joe Bussink is a personal favorite site of mine
to go to get inspired. There are lots of resources online, and they are ready and it should be easy
to be inspired.
2. Organized. Make sure you have lots and lots of batteries, charged and ready.
Check your gear all works. Format all your cards. Check your driving directions.
Make sure you have all the information of the wedding/location/names/family's names.
You know, don't come unprepared or your shots will suffer because you aren't thinking about the
wedding you are thinking about something else. Keep your head in the game, and cake.
3. Stay calm. Just shoot. They hired you cause you have a good eye. You are not the coordinator,
nor are you the reason why they are running 30 minutes behind schedule.
Pose your groups fast, make it good and move on. Try to give the bride and groom lots of
time to be romantic after the wedding before the reception. Just capture them being them.
Those are the images that they will appreciate. Just make sure they are romantic somewhere
with a pretty background and nice light.
4. Shoot. Make sure you shoot shoot shoot. Get a full length of both the bride and groom.
Get detail shots. Make sure that you don't crop out feet or hands in your group shots.
Never crop at a joint (ankle, knee, elbow). Try to get in close, and then back off and get
those establishing shots.
5. Give it your all. If you have to stay later then the time says to get that shot of grandma
doing line dancing, then just get the shot. If you decide that you really need that sunset photo,
make sure your assistant is confident to be alone in the reception.
And just shoot. Even if you think it might be blurry or not the right timing.. try to get the shot.
It is digital and you can only learn from your mistakes if you aren't afraid to make mistakes.
When shooting groups and you have someone who is pesty wanting shots with their cameras..
just ask them to wait until after you flash and put your camera away from your face and
then they can shoot away. Usually they respect that you are the professional, and they will
wait.
6. Change it up. Get low, stand up on chairs, make sure you don't block people or the videographers.
If you need more tips.. happy to help. Experience is the best way.
7. Enjoy yourself. You are going to have to be your best, for 8 hours or more.
Make sure you shine, but don't stand out.
Good Luck
Holly





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